If you have a clean and minimalist style in mind when designing your logo, a simplistic approach to typography is essential to achieve that look.
Searching for clean and minimal typography for your logo might be overwhelming given the number of sans-serif typefaces available out there.
As a design concept, minimalism is driven by the idea that less is more. The fonts are stripped down to only the essential elements, and what’s left is presented in the simplest way possible, without extra embellishments.
See here for the top serif logos for logo design.
Now let’s get into the article, here are the best clean & minimal fonts for modern logo design.
10 Best Fonts for Clean & Minimal Logo Design
- Brandon Grotesque
- FF DIN®
- Proxima Nova
- Avenir Next®
- Cera Pro™
- TT Commons
- Museo Sans™
- Helvetica® Now
10 Best FREE Professional Fonts for Clean & Modern Logo Design
Looking for some free alternatives to the above? Here are a few of the best free fonts for clean & modern logo design & branding.
- Nexa (Light & Bold only) Full family here
- Bebas Neue
- Exo 2
- Open Sans
- Titillium Web
Simple is smart as they say. And minimalism is one of the principles of effective logo design. So without further ado, check out the best 10 fonts for minimalist and clean logo design, perfect for corporate or business logos.
The list below comes with a font preview, short description and a link to the example of font used in logo design.
UNLIMITED DOWNLOADS: 50 Million+ Fonts & Design Assets
All the Fonts you need and many other design elements, are available for a monthly subscription by subscribing to Envato Elements. The subscription costs $16.50 per month and gives you unlimited access to a massive and growing library of over 50 million items that can be downloaded as often as you need (stock photos too)!
10 Modern Logo Design Fonts for Clean & Minimal Branding
Check out our list of the top 10 fonts to create a modern and minimalist logo design, perfect for a contemporary and professional look!
1. Brandon Grotesque
Brandon Grotesque has a functional look with a warm touch.
It is a sans serif type family of six weights plus matching italics and was designed by Hannes von Döhren in 2009/10.
Brandon Grotesque is equipped for complex, professional typography and you can make wonders when used for contemporary looking logo design.
The Brandon Grotesque font is based on geometric forms that have been optically corrected for better legibility.
See an example of this font being used by Mariusz Ciesla in logo for Conc.pt
2. FF DIN®
The FF Din font family has a whopping 20 weights with a rounded font version.
They range from Light to Black in normal and condensed styles (including italics).
FF DIN provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates.
The font is ideally suited for logo and brand identity design.
An example? – check FF Din used in logo design by David Edward Clark.
In 2011, FF DIN was added to the MoMA Architecture and Design Collection in New York.
3. Proxima Nova
If the 20 styles of FF Din wasn’t enough for you, here’s the 48 styles of Proxima Nova.
That’s a huge collection of fonts at your disposal.
The Proxima Nova family is a complete reworking of Proxima Sans (1994) in which the original six fonts have been expanded to 48 fonts.
There are three widths: Proxima Nova, Proxima Nova Condensed, and Proxima Nova Extra Condensed and each width consists of 16 fonts—seven weights with matching italics.
Stylistically, Proxima Nova straddles the gap between typefaces like Futura and classic sans faces.
The result of that is a hybrid combining humanistic proportions with a somewhat geometric appearance.
See an example of Proxima Nova in logo by Nils Urbanus, or the logo of JUST Creative.
Gilroy is a modern sans serif with a geometric touch.
It comes in 20 weights, 10 uprights and its matching italics.
It’s a beautiful geometric, clean and minimalist font.
The Light & ExtraBold weights are free of charge, so you can use them to your heart’s content.
This geometric and simplistic font is perfectly suited for any graphic design, especially brand marks.
It could easily work for web, signage, and corporate identity.
Check Gilroy in logo for carwao on Arek’s dribbble profile:
Mont is a geometric sans serif, minimalist font consisting of 10 weights.
Ranging from Hairline to Black with matching italics.
It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together.
The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text.
The characteristic features and unique details makes it a perfect choice for logo and identity.
Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.
The typefaceʼs versatility and merits make it easy to confront basically any graphic design challenge — logo, web, print, motion graphics etc.
Check the Mont font being used for a city branding here.
Up with Mont to the top and beyond!
6. Avenir Next®
Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it.
The update was done in a way so that its technical standards surpass the status quo, leaving us with a truly superior sans family.
This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level.
In addition to the standard styles ranging from ultra light to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability
The heavy weights have the ability to pair well with serif body types – perfect choice for branding.
Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life.
It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time.
See Avenir Next in logo design by Phil Goodwin
7. Cera Pro™
The Cera Font is driven by pure geometry and simplicity.
The font family contains the bestselling Cera Pro, its stenciled counterpart Cera Stencil, the hand-crafted display companion Cera Brush and Cera Round Pro.
With six weights, a clean italic – carefully slanted 10 degrees – useful dingbats and arrows.
Cera font is a steadfast companion for when you need to set clean text and headlines in print, on screen and in multiple languages.
For best on-screen performance, the TrueType files for web and desktop fonts have been manually hinted.
The font is supporting pure geometry and will surely make an impact when used for logotypes
The pan-European Cera PRO supports the Latin, Cyrillic and Greek scripts.
With over 980 glyphs per weight, Cera cares about localized letterforms and has the OpenType features to match.
Check an example of logo design that use Cera Pro font:
The Panton font family includes 36 weights – 10 uprights with 10 italics and 16 icon sets as a bonus.
It is characterized by excellent legibility in both web & print design areas.
Inspired by the classic grotesque typefaces – Panton has his own unique style, expressed in perfectly softened geometric forms.
A well-finished geometric designs, optimized kerning, excellent legibility for logos
The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations.
Panton font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.
See the Panton font used in logo design.
9. TT Commons
TT Commons is a universal sans serif with a minimal contrast of strokes, a closed aperture and geometric shapes of characters.
The design of the typeface was developed for the widest possible range of tasks with which any quality corporate font is required to cope.
The history of TT Commons originates from the new TypeType logo, which appeared in late 2016 as part of the rebranding project.
Ideas embedded in the logo formed the basis of two fully developed faces (regular and medium), which in early 2017 became the official corporate typeface of the TypeType Foundry.
Low contrast strokes and averaged drawing of letters makes TT Commons perfect for branding
On the other hand, an individually developed design of each glyph makes it possible to use it successfully as a display font.
The typeface intentionally does not have distinctive decorative details. On the contrary, it wins hearts with his laconism, simplicity and sharpness of forms, which set the seasoned corporate style for years to come.
10. Museo Sans™
Museo Sans is based on the well-known Museo.
It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use.
The font was designed by Jos Buivenga and this is his most known work so far.
This OpenType font family offers also support for CE languages and even Esperanto.
The Museo font projects minimalist look & feel when used in trademark design
Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors.
Museo Sans font family comes in 10 fonts: 5 weights (100 300 500 700 900) with each an italic.
From which the 100 and the 900 weights are totally free.
See the font being used for logo design by Mark Grow.
11. Helvetica Now
Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition – which preserves the typeface’s Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding.
Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. It was even listed as one of 2020’s trending fonts.
Modern Logo Fonts from Envato
Brooklyn with Envato Elements subscription
Brooklyn is a geometric modern typeface that echoes back to Scandinavian minimalism and its geometric nature makes it an ideal font to play around with letter spacing to get the most out of the natural whitespace. Pick up one of its 8 weight (Itallics included) and take it for a spin on your next logo project.
Berlin with Envato Elements subscription
Berlin is a clean, award-winning sans-serif, built with logo design and headlines in mind. The typeface carries 4 weights and even includes web fonts so you can bring some of the character of your logo into your web typography as well.
Arkibal with Envato Elements subscription
Arkibal Sans is a classic sans-serif with an absolute impeccable attention to detail in its 18 various weights that includes 6 stencil variants and itallics. If you’re looking for a font that can not only exist in a logo, but be an overall go-to sans-serif, Arkibal is a pretty great choice
Top San Serif Modern Logo Fonts from Envato
As a reminder, with an Envato Elements subscription, you can download all the fonts you need plus many other design elements. The subscription costs $16.50 per month and gives you unlimited access to a massive and growing library of over 50 million items that can be downloaded as often as you need! Here are a few top logo fonts from their collection.
- RNS Sanz
- Visby CF | geometric font family
- Sovereign Typeface
- CornerOne Typeface
- Reef – Round Font
- Maxwell Sans Small Caps Bold
- RNS Miles
- Indigo Font
- Noir Pro
- Albori Sans-Serif
RNS Sanz is neutral and clean. A presentable workhorse for a plethora of design objectives, this Sans Serif favorite is rational and functional, offering range and variety from light to black and beyond. Perfect for architecture and signages, it isn’t hard to understand why this is first on the list.
Authoritative in uppercase and sweet and delightful in lowercase, Visby revels in the stark beauty of rounded letterforms, sharp corners, and hard lines – perfect for clean logo design. Despite all that, this typography is warm and welcoming and isn’t too overwhelming to look at even when its aesthetic is inherently solid and occasionally bulky. Perfect for book covers, magazine articles, and creative undertakings, Visby is one of the more compelling fonts on the list as it functions perfectly fine in both formal settings and casual projects.
Sharp, bold, and straightforward, this modern grotesque typeface delivers multiple variations in weight and size. The Morton Type Family is both dynamic and traditional, and offers a no-fuss aesthetic, hinting no extrinsic elements with its pointed and thick edges. Best used for business cards, reports, and corporate materials, this San Serif contender is just the right amount of loud and formal.
If you’re looking for typography that’s both elegant and contemporary, Envato’s Breymont should suffice. Retaining a refined sense of functionality and minimalism, the dimensions of the letters are simultaneously familiar and modernistic. Suited for editorial campaigns and web design, this font is one that’s made to grow on you.
Available in five weights, Frank is a font that previews a hint of Futura and Din. With the ample use of curves and sharp edges, this typography carries subtle sophistication and candidness. Aptly called Frank, this font is great for any design be it formal or futuristic.
Bold, thick, and booming, Sovereign Typeface is both classic and obtrusive. Mostly seen in designs on signages and tarpaulins, this font is a fantastic choice for any creative looking to make strong statements, be it in branding or one’s tone of voice.
Conservative and kempt, CornerOne Typeface utilizes round edges and neat lines. Perfect for marketing materials with sensitive messages, child-friendly storylines, and mild approaches, this font is a stellar reminder that the medium really is the message and that typography is elemental in sending points across.
Very fitting for its name, Dreamscape is a font inspired by modern designs. Sporting a sci-fi aesthetic, the visuals resemble unfinished puzzles with incomplete elements in every letter, making each piece of text distinct and special. Use this everywhere you feel apt, but this typography shines most in creative projects like clothing, film posters, and videos.
Therapeutic and clean-looking, Reef is a San Serif favorite that stands out because of its round edges. Simple and curvy, this particular text aesthetic displays an almost complete lack of pointed sides, making this font a terrific option for creatives looking to promote light and comedic campaigns.
Carrying vibrant retro energy, Maxwell is a staple San Serif option for many designers. Available in regular and small versions, this typography packs ample artistic alternatives such as old-style numerals, scientific inferiors, and other Central European design inspirations. Radical when bold and subtle when italicized, Maxwell is a versatile font perfect for various projects and storytelling techniques.
One of the more elaborate font families on the list, RNS Miles fuses open forms and geometric shapes to foster modern headline-like text designs. This particular font family is composed of seven weights, ranging from thick to slender, each bearing an italic version. An equally pleasing typography to look at, RNS Miles is flexible, loud, and passionate.
Metrisch is a demure San Serif rendition, optimizing sharp corners and clean vertical cuts. Designed to be intrinsically slender and meticulous, this typography effortlessly articulates class, candidness, and functionality. Loaded with OpenType features, Metrisch is for professionals opting for clean and distinct fonts.
A chunky font duo, Indigo Font combines bold letters and crisp outlines, extending expansive texts and a more aesthetic appeal. Perfect for social media posts, web design, and store logos, this font type is equivalent to making roaring statements and is sure to leave an impression.
Largely influenced by 20th-century geometric typefaces, Noir is a San Serif standout, boasting of a graceful personality with masculine weights and sharp features. Like many font families on the list, Noir supplies flexibility, ranging from light and easy to thick and heavy. Mostly seen on publications, this font is popular with wordsmiths and readers.
Another contemporary typography offering Envato has up its sleeves is Albori. Modern, pleasant, and refined, this typography packs round corners and smooth curves. Light on the eyes and a breeze to look at, Albori is a terrific choice for materials that call for lengthy paragraphs and text-heavy visuals.
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Best Fonts for Clean Logo Design
In order to achieve a clean and minimalist look in logo & brand identity design, you should rely on simple and geometric sans-serif fonts like the collection above.
There are multitude of well-designed sans-serif fonts, but I hope this best selling collection will inspire you in the process of logo design.
What’s your favorite clean & minimalist font for logo design?
Let us know in the comments below.
More Top Fonts
- 30 Fonts That All Designers Must Know & Should Own
- 15 Stunning Font Combinations
- The Top 100 Best Fonts Of All Time
- 27 Classic & Elegant Fonts
Infographic: What your Logo’s Font Says About Your Brand
Thanks to Brand Marketing Blog for the below infographic.
See here for the top serif logos for logo design.
Parts of this article were contributed by Arek Dvornechuck.